"Rashomon" Is Released
Rashomon (羅生門, Rashōmon?) is a 1950 Japanese film directed by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa.
It stars Toshirō Mifune, Takashi Shimura, Machiko Kyō, Masayuki Mori and Minoru Chiaki. The film is based on two stories by Ryūnosuke Akutagawa — ("Rashomon" provides the setting, while "In a Grove" provides the characters and plot).
Rashomon can be said to have introduced Kurosawa and Japanese cinema to Western audiences, and is considered one of his masterpieces. The film won the Golden Lion at the Venice Film Festival, and also received an Academy Honorary Award at the 24th Academy Awards.
This landmark film is a brilliant exploration of truth and human weakness. It opens with a priest, a woodcutter, and a peasant taking refuge from a downpour beneath a ruined gate in 12th-century Japan. The priest and the woodcutter, each looking stricken, discuss the trial of a notorious bandit for rape and murder. As the retelling of the trial unfolds, the participants in the crime -- the bandit (Toshiro Mifune), the rape victim (Machiko Kyo), and the murdered man (Masayuki Mori) -- tell their plausible though completely incompatible versions of the story. In the bandit's version, he and the man wage a spirited duel after the rape, resulting in the man's death. In the woman's testimony, she is spurned by her husband after being raped. Hysterical with grief, she kills him. In the man's version, speaking through the lips of a medium, the bandit beseeches the woman after the rape to go away with him. She insists that the bandit kill her husband first, which angers the bandit. He spurns her and leaves. The man kills himself. Seized with guilt, the woodcutter admits to the shocked priest and the commoner that he too witnessed the crime. His version is equally feasible, although his veracity is questioned when it is revealed that he stole a dagger from the crime scene. Just as all seems bleak and hopeless, a baby appears behind the gate. The commoner seizes the moment and steals the child's clothes, while the woodcutter redeems himself and humanity in the eyes of the troubled priest, by adopting the infant. ~ Jonathan Crow, All Movie Guide