William Christopher Handy's "Memphis Blues" Is Published
On September 28, 1912, the publication of William Christopher Handy's "Memphis Blues" changed the course of American popular song.
Handy introduced an African-American folk tradition, the blues, into mainstream music. By the 1960s, the blues sound had significantly influenced the development of jazz and rock and roll, quintessential American musical forms.
Born in Alabama in 1873, W. C. Handy attended Teachers Agricultural and Mechanical College in Huntsville. After a short stint teaching school, he began playing cornet with dance bands that traveled the Mississippi Delta. Handy transcribed and collected blues songs that he had heard on the road in the 1890s, but continued to play the ragtime dance tunes that audiences demanded.
By 1909, Handy had settled in Memphis, Tennessee, a Delta city with a cosmopolitan population and a limitless appetite for music. In Memphis, even mayoral races warranted musical accompaniment. As one of the top bandleaders in town, Handy was hired by aspiring mayor E. H. Crump. To attract attention to his candidate, Handy wrote an original tune entitled "Mister Crump" which merged the blues sound with popular ragtime style by slightly flattening the third tone of the scale. Overwhelmingly popular, the song contributed to electoral success for Crump and musical success for Handy.
William Christopher Handy (November 16, 1873 – March 28, 1958) was a blues composer and musician, often known as the "Father of the Blues".
Handy remains among the most influential of American songwriters. Though he was one of many musicians who played the distinctively American form of music known as the blues, he is credited with giving it its contemporary form. While Handy was not the first to publish music in the blues form, he took the blues from a not very well-known regional music style to one of the dominant forces in American music.
Handy was an educated musician who used folk material in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from several performers. He loved this folk musical form and brought his own transforming touch to it.