Blind Tom Wiggins tours the US performing concerts
In 1875, General Bethune transferred management of Blind Tom's professional affairs to his son John Bethune, who accompanied Tom on tour around the U.S. for the next eight years.
Beginning in 1875, John brought Blind Tom to New York each summer. While living with John in a boarding house on the Lower East Side, Tom added to his repertoire under the tutelage of Joseph Poznanski, who also transcribed new compositions by Tom for publication. Many of these were, at Tom's insistence, published under such pseudonyms as Professor W.F. Raymond, J.C. Beckel, C.T. Messengale, and Francois Sexalise.
Tom's piano-playing behavior, both during practice and performance, was eccentric. "We had two pianos in one room," Poznanski told the Washington Post in 1886 (as recounted in O'Connell's biography). "I would play for him and he would get up, walk around, stand on one foot, pull his hair, knock his head against the wall, then sit down and play a very good imitiation of what I had played with additions to it. His memory was something prodigious. He never forgot anything." This led some critics to dismiss Tom as a novelty act, a "human parrot." Novelist Willa Cather, writing in the Nebraska State Journal, called Tom "a human phonograph, a sort of animated memory, with sound producing power."