The similarities between The Concert and The Music Lesson are such that they have often been dated at the same time. Both the conception of the scene and the painting techniques of The Concert, however, place it around 1665-66, sometime after the conception of The Music Lesson. The mood of The Concert is more relaxed than that of The Music Lesson. The figures seem to belong naturally to the room and to participate in the rhythm of the music. The case in their demeanor probably resulted from Vermeer's experiences in depicting the series of single figures during the years 1662 to 1665.
Source/Attribution
The Essential Vermeer
Added Tue, Aug 4 2009 at 6:38PM UTC by